Last time, we saw that adding Godo to the GWU Control framework didn’t go too badly – if I had kept better hands here and there, I might have made Top 8 of the tournament I played it in – but I wasn’t satisfied. The deck had problems, and since that tournament the format has shifted in ways that only exacerbate those problems. Let’s see if we can fix some of those today, shall we?
Bowing to popular demand and trying to make up for only writing four of his five daily articles, Tim Aten steps to the fore with an awesome London report written as only Tim Aten can.
Okay, I can’t take it anymore. I wanted to take a step back from writing because I just didn’t feel like writing anymore, but I am starting to lose my mind. This could possibly be the most misunderstood draft format since triple Mirrodin. Listening to Sam Gomersall call Green the best color in both his article and in an interview at the Pro Tour nearly made me pass out. You won’t get any pick orders here, but you will be saved from all the misinformation that has been being spread about the format.
It’s Block Constructed season. GP Twin Cities was a very long weekend, but now it’s over. I was judging, so I watched a lot more matches than almost anyone else there. Here are my observations about Kamigawa Block and how it’s shaping up.
Are you becoming tired of a Block Constructed format that is becoming stagnant after only three weeks of PTQs and wish to break the monotony of White Weenie and Gifts mirrors? Then do I have the deck for you!
Last week, when I left off, I’d intended to go into greater detail about my thoughts on control-oriented decks in Kamigawa Block Constructed, but in between there seems to have been a highly relevant Grand Prix that sums up all of the musing I’ve been doing on re-working a Splice-based control deck. We will get to talking about control decks in good time, but with the availability of excellent information being released every week in the form of PTQ Top Eight decklists, and a recent shift in the metagame to focus extremely on the White Weenie and Black Hand beatdown decks, I felt it important enough to interrupt what I had otherwise intended to talk about.
Any scientist or artist will tell you that it’s best to look at failures not as failures but as opportunities to learn. Thomas Edison used to say that, “I have not failed. I’ve just found ten thousand ways that won’t work.” This keeps you sane, especially when you know that you’re going to miss your goal a lot. There are a lot of failures in Magic, too.
This week Mark works through his Godo fetish for Kamigawa Block Constructed. He’s not alone in his love for the Bandit Warlord though, the winning deck from the Japanese Block Grand Prix had the same ideas in mind.
I find that the best defensive strategies attack. When you let the opponent dictate the terms of an interaction (“this game is about my Jitte“) you have to play by his rules; you may mistakenly enter a mindset where you believe that the game revolves around some key permanent he uses to threaten you, even when it only looks that way, or only is that way because you let it. You grasp for even sub-optimal methods of answering that permanent in the vain hope that its removal is, like Love in the Beatles song, all you need. The problem is that when the opponent controls the initiative, you can’t hope to win with one-for-ones.
Kamigawa Block Constructed continues to dominate our testing. I’m finding the block fantastic and very enjoyable. Today I’ll cover four different decklists that we’ve been working on in hopes of cracking the Block Constructed format wide open.
After making the Top 8 in seemingly every Limited Pro Tour ever, Anton Jonsson’s streak came to an end in London. Why did it happen, what did he learn, and how can it help you to become a better player? That’s the focus of today’s article by the man who is rapidly becoming one of the best Magic writers around.
This is it folks, the final installment telling the tale of how one goofy young Type One player turned into a Pro Tour powerhouse and deckbuilding master.
Let me explain something real fast for some of you… no, Regionals is not a Vintage tourney; yes it is Standard or “Type 2” as some call it. No I haven’t given up Vintage and I will continue to write about it. At this point I feel obligated to tell you that I do have an interest in other formats and I enjoy playing something non-broken from time to time. This is a report on my exploits at Regionals, contains zero Vintage material and well generally have me blathering on for a good 10 pages. You have been warned.
When last we left our intrepid adventurers, they were trying to read their Magic cards. After navigating through static abilities, triggered abilities, “comes into play” abilities, and the “ultra-confusing” Giant Spider, they came upon this creature that seemed “kinda cool” but they didn’t know what to do with it.
When Saviors came out, I remember remarking to one of my friends that Saviors seemed to have a larger number of reprints than normal. Another of my friends pointed it out to me thee following day, and I’ve heard a variety of other people talking about it as well. On Friday afternoon, during a slow part of my business day, I logged onto the Wizards homepage and read an answer to a question regarding the apparent number of reprints in Saviors. Obviously, I was not the only one with that impression. The answer that was given was quite unfortunate, so I took it upon myself to investigate exactly what Wizards has and has not been reprinting in their recent sets.
